Developing a complete range of light and shade on a figure drawing can be a daunting task when you are working under time constraints. One technique I love is actually starting on toned paper.
By beginning on a medium grey or tan surface, I can add both highlights and shadows to the form, creating a sculptural feel to the model. On a light grey surface my favorite highlight is actually a very soft blue. I've also used light purple which gives a cool effect.
It's important to remember to slowly develop your lights and darks - saving the brightest and deepest spots until the very end. Also, always consider the whole figure at one time. I have been in many situations where I made one part of the figure look fantastic, only to realize it didn't match the rest of the body!
What fabulous drawings! And such super tips too. Never really thought about the color of the background paper - thanks so much for sharing!
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