Our ever growing and always dynamic figure drawing group met this week, and it was truly a diverse crowd - painting, drawing with charcoal, pastel, and then two sculptors working as well. It's always so rewarding to see how a multitude of artists interpret the same model.
I had a wonderful view of our model's pose, with an elegant - but tricky! - placement of her hand behind her back.
I started with a wash of burnt sienna, then sketched in the large shape of her figure, making sure the placement on the page would accommodate her triangular shape created from the top of her head, to her elbow, to her knees.
I slowly deepened the environment as I worked on the placement of her shoulders and her knee turned away from me. The hand behind her back kept shifting as I searched for the right size and shape of her back. Once the shapes and proportions were correct, I started adding color with the drapery first.
I had a wonderful view of our model's pose, with an elegant - but tricky! - placement of her hand behind her back.
I started with a wash of burnt sienna, then sketched in the large shape of her figure, making sure the placement on the page would accommodate her triangular shape created from the top of her head, to her elbow, to her knees.
I slowly deepened the environment as I worked on the placement of her shoulders and her knee turned away from me. The hand behind her back kept shifting as I searched for the right size and shape of her back. Once the shapes and proportions were correct, I started adding color with the drapery first.
It was helpful to add some cool whites to the overall warm tones - I could see the color in the skin a little easier with the contrast of white drape and warm skin tone.
The pose had some similarities to this one from a couple weeks ago with a wonderful male model.
I spent the majority of our time with the model just getting the drawing correct - I still need to go back in and add the flesh colors. Or...it may stay moody and monochromatic...we'll see where it goes!