Showing posts with label portrait. Show all posts
Showing posts with label portrait. Show all posts

Friday, January 17, 2020

The Most Influential Woman of the Decade (as decided by Me at my kitchen table)

Hey, it could be worse.  I could have made the decision in my bathroom.  But the real truth is I made the decision on naming this person The Most Influential Woman of the Decade in my most sacred place...in my studio, in front of my easel.

Way back in 2009 (holy cow why does it feel like yesterday and a lifetime ago all at once?!?) I wrote my first brief blog post about Heather and her blog.  A couple years later, Heather wrote a post about a portrait that I sent - unsolicited - to her of her daughter.

When Heather, aka Dooce, shared that watercolor portrait on her blog...it was...not an exaggeration...life changing.

You see, the actual act of creating that portrait and sending it out to Heather went against the grain of every thing in my life at that point.  I was not in a situation that nurtured chance, risk, or anything out of the Perfect Picture of Domestic Life that was The Goal.

It was profane, almost.  Like that sexy novel hidden among the self help books on my nightstand. I sent the portrait to Heather in secret.  I didn't tell anyone I was doing it.  I was ashamed at my inner voice, telling me to Paint it, and Send it.  It was - truly - the first time in a long time that I didn't care what my close circle would say - I only cared about what my heart told me to do.

And Heather could not have been more generous with her kindness, and her platform.  By sharing that portrait on her blog, she introduced thousands of people to my work, and many became patrons, and for that I am truly grateful.  It set my business on a course that allowed me to nurture myself as an artist, and nurture my children because I was in a good place as well.

Over the years, we collaborated on a few other pieces, and I was inspired by many of her photographs which led to a series of some of my all time favorite portraits.

Divorce happened, in her life and in mine, and I cannot imagine what it was like for Heather to share that with her audience on her blog.  I very rarely talk about mine - even though I would like to share more -  because I cannot talk about the impetus for change and growth without talking about the catalyst for it.  And, like other conscientious parents out there, I am aware that my children will always be half of me, and half of their dad, and if I insult or disparage either one of us, I'm hurting them as well. 

But I will say this...when I was pretty much at the bottom, when I thought nothing good was coming down the pipe again...I heard from Heather.

Heather reached out to me in the sweetest way, wanting to create something special to honor the Cowboy (you can read her own words about him here).

What Heather doesn't know, is that she saw me, she sought me out, when I felt the most lost, forgotten, and invisible.

I was at a point when I felt like Damaged Goods.  I had been battling false police reports, lies to DFCS, having my children removed based on false statements made by a person I removed from my life YEARS before because I knew she was Toxic...holy cow.  I was Unseen.  Unloved.  Unwanted...by the people I spent my whole life trying to please with every fiber of my being.

But in the midst of this...Heather reached out.  She not only hired me to create - she shared it again with her Tribe.

She believed in me, and shouted it from her keyboard.

Do you have any idea what that means to someone?

Do you have any idea how life affirming that was?

Do you have any idea how powerful she is...to remind me that I am Worthy of praise.  That what I do matters.  That I made a positive impact on her life.

And this past December, she reached out to me again, for another covert operation: capturing the children of the Cowboy, for his birthday.

Heather has faith in people.  She believes they are capable.  She believes in their minds, their creativity, their decision making process.  She has never micro-managed me as an artist, but has always responded with enthusiasm for the choices I have made on my canvas.

That is rare.  I know...I've worked with thousands of wonderful clients.  And this amount of Trust has only appeared a few times.

Heather has a belief, and a trust, in me that is incredibly precious to me.

The portraits that I created of two of her boyfriend's children are two of my all time favorites.  They were done in a limited palette, a very timeless almost sepia-toned range of browns with a touch of black.  Based on Heather's photos, they were casual, sweet, and done with a great deal of Love.

And I will never show you.

But I will tell you...Heather hired me to create these beautiful pieces right before the Holiday.  She paid me a deposit immediately.  And that deposit helped me have one of the best Christmas Holidays I have had with my family in years.  We're not talking a huge amount...but the amount I needed to buy a few gifts without using my credit card and feed my family and spend the quality time with them we all deserved.  It was the first time I had both of my kids for Christmas in four years.  And Heather helped make it amazing.

I wrote this on my blog way back in 2012...

As a writer, Heather puts herself out there, in front of millions of people every day.  Without shying away from the harsh realities in her life, she shares her joy and sorrow with her fans and followers.  Her bravery is inspiring.  As an Artist, I hope I am following that lead, and sharing a bit of myself with every drawing or painting I share with you.  We both know that not everything will be rewarded, but more often criticized, and yet we are compelled to do it anyway.

I went through the harshest period of my life a couple years ago.  I was afraid to even leave my house for a while.  I was silenced.  I was erased from my son's life for a period of time.  I was eliminated by family members.

But throughout all of that, I discovered what true Kindness is.  I discovered how special it was to be lifted up by another.  I realized how powerful it is to be Seen.  To be Heard.  To be Trusted.

As I stood in front of my easel on the last day of 2019, working on two of my favorite portraits of all time, I realized that Heather has meant more to me these last ten years than most people will ever know.  While her love life is reduced to internet fodder and her medical issues are another reason for small minded people to Judge What They Do Not Understand, I was one of the lucky ones behind the scenes, being Seen.  Being Heard.  Being Trusted.

At a time when I felt silenced in more ways than one, Heather shined a light on my strengths and my potential, and she helped me find my way back to my Voice.

I wanted to write this today to acknowledge Heather, her impact on me, my self-worth, and how by doing so she has helped me as a Mom, a partner to my own Cowboy, and as an Artist.  In a world where sometimes the easiest thing to do is ignore our own pain by tearing another person down...I wanted more than ever to lift someone up.

I Love you, Heather.  And Thank You.




Monday, June 12, 2017

16 Saints for Our Lady of the Mountains Roman Catholic Church Jasper, Georgia

My dear friends...I feel like I have abandoned you and I am so sorry!  I'm not sure why life takes the turns it does all the time, and sometimes, only with hindsight, do we get to actually understand what was happening and Why.

These past few months have been very challenging for me on a personal level, and unfortunately now on many other levels as well.  I'm going to spare you the details, but I will tell you this...we all have trials, we all have challenges, we all have grief and suffering.  Our experiences are valid because they are happening to us, effecting us, and shaping us.  No one escapes challenges. 

I was lucky enough to have lunch with one of my favorite people yesterday, and after I got done explaining my situation, she shared a trial in her own life...and immediately mine seemed small in comparison.  My mind immediately shifted into "How do I help my friend?  What are the right words to say?  What can I DO for her?"

Truth is...sometimes...just listening is enough.  Sometimes...just an extra long hug is enough...sometimes cooking dinner is enough.

Sometimes...knowing that we all experience hardships is enough.  Others have triumphed, and we can as well.  For many people, seeking out an example of perseverance, sacrifice, love, determination, strength, is necessary.

I was lucky enough to create portraits of 16 Saints for Our Lady of the Mountains Roman Catholic Church in Jasper, Ga that - hopefully - will do exactly that.  Hopefully, looking upon these faces will humanize these saints for the viewer...will help you see them as human beings seeking guidance, love, understanding just as we all are.  I truly hope that looking into their eyes and gazing upon their likeness as I have interpreted them will provide a small measure of comfort to anyone who needs it.

https://en.wikipedia.org/wiki/Pope_John_Paul_II











https://en.wikipedia.org/wiki/Miguel_Pro

Saint Vincent de Paul

Saint Joan of Arc

Saint Edmund Campion

Saint Martin of Tours

Saint Elizabeth Ann Seton

Saint Sebastian

Saint Maria Goretti

Saint Louis the King




















Saturday, March 5, 2016

You Are Valid

Sharing my work on line is one of the most rewarding things in my life.  Not only because the actual selling of my work supports me and my children, but the act of connecting with people through my work can be so powerful, and sometimes, can even change my life.

Last week I received a note from a woman who saw my two self-portraits, "Unleashed" and  "Draw Forth".  She explained...

"I am going through a rather complicated breakup and these speak to me. Both the calm resignation in 'Draw Forth' and the hurt and rage in 'Unleashed'. Seeing these emotions external to myself has helped to put some things in perspective"


"Draw Forth"


"Unleashed"

This note meant so much to me.  Just a couple weeks ago, I was having a discussion with a fellow artist about what I was currently working on, and we started talking about work with a Message - social, personal, political, etc.  And he asked why I wasn't creating more work with a personal story.

My only explanation at the time was that for so long now, my thoughts and feeling rarely seem validated, and/or understood by some of the people in my life.  NOT ALL - just some.  But sometimes they are the people who have the biggest impact on my self-worth.

I don't want to get into specifics either, because I think there is a way to learn and share without throwing people "under the bus" so to speak.  It felt like there was a pattern in my life for so long, that if I wasn't comfortable in a situation or how something was going, I was told "well other people have it worse so don't complain", or if I changed my mind on something I was WRONG to change my mind. Or worse...wrong to have an opinion in the first place.

Changing your mind, wanting something more out of a relationship, having thoughts and opinions that might differ from someone else, these are all VALID.  Valid things to go through in your day to day life.  If you are surrounded by people who challenge those feelings, belittle them, or cut you out of your life because of them, that is THEIR short-coming, not yours.

So what do you do in this kind of situation?  First of all, you become a better listener, which I am thankful to say that I am.  Because, truly, that is what I want sometimes, too - to be really listened to. Not have my feelings dismissed or belittled or challenged.  So that is the first thing I am going to put out there into the universe - my willingness to listen to my friend's, children's, and loved one's feelings, and always let them know that they are valid.

Secondly, I need to listen to myself.  I need to stop letting someone who is bigger than me or who is stronger than me or who makes more money than me or who is simply louder than me (which is not many people) decide which of my feelings are "right" or "wrong".

So let's get back to my point:  this woman's note really meant something to me, because she saw a message in my work, interpreted it for herself, and learned from it.  I don't know if there is a higher compliment that I can receive as an artist, or a human being.  I am so thankful for that.  I am emboldened by her sentiment and finding a lot of personal strength because of it.  I'm inspired to re-examine pieces that I have abandoned or never even started because I had become afraid of expressing my thoughts and feelings.

THANK YOU to every one of you who follows my work because you relate to it, enjoy it, feel something when you look at it - even if it's just joy! - which is a valid response to art!  Thank You for listening.



Tuesday, April 14, 2015

Inspired By Game of Thrones - Portrait Practice - Master Luwin played by Donald Sumpter

Someone who shall remain nameless got me sucked into Game of Thrones.  So for the last three months I chain watched episodes and caught up to season 4.  I was one of - apparently - 8 million people who turned in on Sunday night to start Season 5.

From the very first scene in the series, I was enamored of the lighting and the costumes.  I am horrible with names, my attention span isn't what it used to be, and darn it!  I have to stay caught up in my Words with Friends Games!  But all the world stops when I watch GoT.

So far I have done three portraits, and I'll share this one first - Maester Luwin from Winterfell, played by Donald Sumpter.

One of the aspects I am working on in my paintings is my tendency to paint very "hot" - too much red and orange in my skin tones (we can debate if that's a good or bad thing later...I just want to try and paint in a cooler palette, experiment with the color)  So I loved the color of Maester Lewin, especially in this scene where he is teaching Bran about Westeros in the episode "The Wolf and the Lion".

I started with very cool, dark, transparent colors to block in the face.



I then started to block in some of the flesh on the face.  I realized - when taking photos - that my camera (ok iphone) tends to make everything look warmer - more red - than in "real life".  So that could be one of my problems - when painting from photographs the reds are too strong.

Anyway, I purposefully only used cool colors on my palette - the "warmest" color was transparent red oxide.  




Because the scene was filmed in an outdoor cool light, the flesh had a cool feeling, very icy blue, everywhere except his ear.  That is the only spot I used any cadmium orange and red.  It was a nice contrast to the predominantly cool painting.


I took great care to try and capture what Mr. Sumpter brought to the role of Maester Luwin - the incredible warmth partnered with deep wisdom.  I have incredible respect for these marvelous actors, and everyone on the Game of Thrones team...they are all artists.


The painting is done on an oil primed linen, that had a previous life as another painting, and was then recovered with oil based primer.  I intentionally leave some texture along the edges, a little peak of the history of the surface.  This portrait is 11" x 14".


Sunday, December 28, 2014

2015 Juried Art Exhibitions

Two portraits were selected by esteemed juror Michael Shane Neal  for the 2015 Portrait Society of Atlanta Winter Exhibition.  The show will take place at the LONA gallery in Lawrenceville December 31st - January 29th.

"The Agronomist", painted for the DaVinci Wine Storyteller Experience


and "My Heart, Away"


I also have two portraits selected for the Women Painters of the Southeast 4th Annual Juried Exhibition at the Blue Ridge Arts Center April 3rd to May 1st 2015.

"Portrait of a Florentine Tourist"


"Dauntless"







Friday, March 7, 2014

Current and Upcoming Shows and Exhibitions

Hello dear friends and followers...I am so sorry to have neglected my blog for so long!

But I am back with lots of good news to share so let's get to it!

Back in December I was lucky enough to paint a young man I met through my yoga studio.  Not only did I get a great portrait out of the experience, but I made a new friend, as we chatted and laughed and bonded during the painting session.


My original plan was to paint a simple head shot, 16" x 20" portrait.  But my model had other ideas in mind!  he wandered around my studio looking for props, and settled on a skull...but removed the jaw.

So we set up a pose and I pulled out a 18" x 36" inch canvas to accommodate his portrait, his hand and the skull


I got quite far in our three hours together, but further refined the piece using reference photos


I was very honored that this piece was selected for the 2014 LaGrange National Exhibition.  It was beyond thrilling to find out that the museum decided to purchase this painting, which I titled "Cessation of the Mind", for their permanent collection.

I'm also honored to be a newly juried member of the Women Painters of the Southeast, and to have two pieces in their 2014 member's Show


"A Step Back"



"Mona in Turquoise Scarf"

The show will be held at the Magnolia Art Gallery in Greensboro GA March 28th through April 15th.

For the fourth consecutive year I am proud to be part of one of the biggest and fastest growing Art Exhibitions in the area - the Cumming First United Methodist Church Festival of the Arts.  This year three pieces were juried into the show


"A Gentle Soul"


"Anna"


"A Deceptive Calm"

I am consistently impressed with the size and scope of this show, and the entire program throughout the two week run celebrates Art and Music.  Be sure to check the schedule and attend one of the wonderful concerts when you visit the show.

The show runs from march 22nd though April 6th.










Monday, April 8, 2013

CFUMC Festival of the Arts 2013

This is the third year that I am proud to be a part of the Cumming First United Methodist Church Arts Festival.  The festival takes place for a full two weeks this year, and I am thrilled to have two of my recent paintings in the show.


The Orange Shirt


The festival includes a full music program as well.   I highly recommend visiting this beautiful church and enjoying the program.  The show is massive, a huge undertaking, and the staff does an amazing job of bringing it all together.

2013 Concerts & Special Events

The 2013 Festival of Arts will be expanding to cover a two week period.  There will be multiple concert options available during that time.  Concert dates are still being finalized.  Check back often to view updates on the concert schedule.

Saturday, April 13, 7-9 p.m. - Artist & Patron Gala Reception and Gallery Preview.  BY INVITATION ONLY
Sunday, April 14, 2:30 p.m. - Elysium Chamber Orchestra.  FREE
Monday, April 15, 7:30 p.m. - University of North Georgia Symphonic Band.  FREE
Tuesday, April 16, 7 p.m. - 'mIfilm' Student Film Festival held at the AMC Avenue Forsyth Theatre.  $5 GENERAL ADMISSION
Wednesday, April 17, 6-7 p.m. - Student Reception for Visions Art Show.  FREE
Sunday, April 21, 11 a.m. Clark Atlanta University Philharmonic Society - guest choir at 8:45 and 11 a.m. worship.
Sunday, April 21, 2:30 p.m. Clark Atlanta University Philharmonic Society in Concert.  FREE
Wednesday, April 24, 7 p.m. Rising Stars concert competition.  (Classically trained young musicians high school age and younger.)  FREE
Saturday, April 27, 7:30 p.m. - North Georgia Symphony Orchestra.  $10 general admission.  $5 students.
Sunday, April 28, 11 a.m. - Cumming FUMC Chancel Choir - providing special music at 11 a.m. worship.


BACH'S LUNCH CONCERTS
All concerts take place at Noon and are free followed by a light lunch available for $5.  Week one features the performing fine arts departs of the five Forsyth County high schools.  Week two features performances by professionals from the Atlanta metro area.

Monday, April 15 - Lambert High School
Tuesday, April 16 - North Forsyth High School
Wednesday, April 17 - Forsyth Central High School
Thursday, April 18 South Forsyth High School
Friday, April 19 - West Forsyth High School
Monday, April 22 -  City Gate Dance Company (contemporary dance and ballet)
Tuesday, April 23 - Nathan Munson & Amy Little, Tenor & Soprano soloists/duetists
Wednesday, April 24 - David Bros. Jazz Quartet
Thursday, April 25 - Atlanta Saxophone Quartet
Friday, April 26 - Trey Clegg, organist








Monday, January 21, 2013

Charcoal Sketches from the Live Model

I know I haven't been posting a lot of my art lately.  It's not for a lack of productivity.  I have been drawing and painting quite a bit.  But my mind, when not actually holding a brush, has been elsewhere.  I am very concerned about my son's diet, in fact the diet of my whole family.  I am incredibly depressed to see how much junk food children are allowed to eat in the classroom every day, and what a huge negative impact it can have on them mentally and physically.

SEE?! There I go again!  I'm here to show some drawings and back I go to ranting about the junk food!

So... FOCUS! Here are a couple recent black and white drawings from the live model.


This is the very beginning of the charcoal portrait below.  I find it helpful to block in the largest areas of light and shadow first - getting proportion and a sense of the light source before getting caught up in the tiny details.



I think this was just about an hour of drawing.  I used vine charcoal and then switched to charcoal pencil. 


This drawing is built up mainly from charcoal lines, similar to cross hatching techniques.  This was partly due to the paper.  I think this is a Canson drawing pad, and I find that I can't "smudge" as much as some other drawing papers.  It doesn't erase as cleanly, either, which kind of forces me to get it "right" in fewer strokes.


This figure drawing in charcoal was done in 30 minutes from the live model. I love compact poses like this, especially in short periods of time.  Strong lighting, a good pose, you can get a lot accomplished in a short time period if you look at the big picture - the largest areas of light and shadow first - and then work in to the details. 

Monday, April 23, 2012

Thursday, November 10, 2011

Forced to look at myself

My 36th birthday is approaching way too quickly.  This year keeps pressing upon me like some terrible deadline.  Even my clocks are against me - it seems like I'm always catching "11:21" on the clock, it's way of saying "You can't escape it!"

I'm totally steeped in self-evaluation lately.  Partly because I have just finished this self-portrait in oil.


And partly because I am having to justify keeping my studio space.  No one is asking me to give it up - DH is totally supportive, my studio partner and I are totally sympatico - but my sales on-line have slowed down and I am having a difficult time allowing myself to see myself as being worthy of this beautiful space.

I think part of the problem is that I have a difficult time accepting my self-worth, as an Artist and as a teacher. I have always had this problem.  It mostly manifests itself in my pricing.  I am constantly hearing from other artists "you are pricing your work too low!  Do you know how much other artist's are charging for custom portrait work? For original paintings?!?"  

And in some ways they are right.  I found some of my portrait pricing lists from years ago - almost a decade - and I am not charging much more now than I did way back then.  And I KNOW my work has improved.  I KNOW that my work is worth more, because of the finished product and the years of study and practice that have gone into making a great portrait.

But here's where it gets tricky. Every time I feel like "I'm worth it", something else, or someone else, steps up to tell me otherwise.  When I got a nice present from my mother as a child, which was rare because there were six of us, I would often be made fun of by my older sibling, especially in front of other people  - "Oh my GAWD is she spoiled or WHAT?"  And I would sit there and think to myself "I get straight A's, cook dinner and clean all the time, and I pay for all my own stuff all the time...mom buys me one present and I'm spoiled?"  

I can't bring myself to buy a single article of clothing that isn't marked down 75% off...who am I to spend money like that on clothes?  The guilt that I feel with spending money is almost as great as when I get paid for my work.  Guilt.  I feel badly taking money, I feel even worse spending money.  I get physically sick when I go shopping.  Even to the grocery store.


There are things that I am certain of.  I am a much calmer, happier mom right now with my studio being out of the house.  To be able to work on my art and not be thinking about the sink full of dishes or the dirty laundry has mentally put me in a better place.

I am a good teacher.  I know what I'm doing.  I know how to verbalize instructions and how to fix a painting or drawing.  I love watching students accomplish new things - it brings me great joy.

I know I am a capable Artist.  I know I can accomplish great things.  

But this inner conflict has been plaguing me all year.  One sibling called me spoiled again, in a very public way, and I can't get past it.  I have gotten to the point where I barely even speak around my family, for fear that they will think I'm spoiled for talking about myself.  I fear that every time I open my mouth it will only be to provide them with another opportunity to attack me.  

So where do I go from here?  I'm committing to another 6 months in my studio - that's already a certainty, I can pay that right now.  But in order for me to stay in that space, I need to accept my own self-worth and evaluate everything - from the prices of my custom portraits to the cost of lessons.  If I can't make the money on my own to keep the space, then I don't want to stay there...I don't want to be spoiled. 

I had a visitor to my studio over the weekend, and when she walked up to my self portrait she said "You are very self aware".  Let's hope that can translate into self-worth as well.

Wednesday, October 5, 2011

Dooce's Favorites. Painting number three

Sometimes I come across a photograph that would barely needs any adjustments if I were to translate it into a painting.  This was one of those photographs.

Heather captured a young woman, in the most glorious yellow and red outfit, posed in a doorway.  She was tentatively looking into the darkness behind her.  The sunlight seemed to want to drag her outside, yet she was being pulled back into the dark space inside.  A woman of an older generation appears in the background, slightly out of focus, entering a back doorway, perhaps catching the young woman off guard.

Heather didn't just frame a stunning picture of a beautiful young woman, she captured a dialogue between young and old.  She captured a relationship that could be interpreted in a million different ways by a million different viewers.

I painted with oil on a 12" x 24" birch panel that I primed with a clear gesso, allowing the grain of the wood to show thru.


I started with a pretty dark palette of prussian blue and alizarin crimson, blocking in the largest shapes.  Then I added the bright light coming thru the back door in a shade of light turquoise and grey.  


I was pretty excited about the fabric in this piece, especially the red satin.  A rich red requires several layers of paint and glaze to develop a truly saturated red.  I actually started the red area in more of a fuschia tone, which would then be covered by a warmer red alizarin glaze for the perfect final color.


I continued to block in the shapes of the yellow fabric and her skin tone.  These two colors needed to work well together.  I didn't want her skin to appear washed out, which is difficult next to such a saturated color.  However, if I went too far with the color of her skin, maybe too orange or red, it would appear more like make-up than skin color.


Adjustments are made at every step.  Colors are fixed.  Edges are shifted.


The look in her eyes was so important.  You make look at her once and see fear, but look again and see defiance.  


The fabric folds and patterns took the most time.  I don't mind telling you I took several breaks to check Facebook when my eyes started to glaze over...



This painting will be part of an on-line auction starting on October 10th to benefit Team Every Mother Counts, participating in the New York City Marathon on November 6th.