![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOm0DiRJEORmpoL0Gqh3lFs6qvTbWzPpblcMTTVMUZTBsw85r6lbPBSBdtHNe890HBBRouFuyA-0k776vTIHZox8uPGh8-8WSLu38cA0iph0iZTs3sW2TZOGAd5qS5DSYQgANFkXfAgFRt/s200/kim+frohsin.jpg)
I'm mellowing out a few of the squares - layering some more neutral browns or changing some of the more intense blues to more greyish blues. I think it's looking much better!
I'm posting a big influence on this piece - a painting by Kim Frohsin (http://www.kimfrohsin.com/) that I tore out of a magazine a couple years ago (I think!!!) It's been hanging in my studio forever. I love her use of color, line, paint quality, the variety she achieves in her piece while still maintaining unity among the squares.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb8zFQaCEK3U-wZ0N0mEmYu6UA8sBDUB9nwUPCjbUKphcS6Px5xFf4IT5mT3eobyOPlfEB2rb00XAgN8BlLWGop7E1DSmh_vHDnEGcsTOzY1dQmd6PHs5w9oBYiFiG_Q7GoVqCYQWcakLi/s320/steph+squares4.jpg)
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This is a corner of my studio - covered by naked ladies - but
showing a drawing from way back in 2003 - the purple and black of drawing of a torso - where I also did a first layer of squares before drawing on top. I'm glad I had that drawing on the wall, too...I like the variety of drawing techniques I used. I need to keep that in mind! There's a different feel to a painting from a live model - an energy an immediacy - you can't always achieve when working in the studio from memory.Click on any picture to see detail.
2 comments:
Figures are not my cup of tea when it comes to art, but yours are really quite beautiful. Your technique is so wonderful, It makes me like them !
I see them now { the horses}, I enlarged the photo. Those are really interesting, Thanks for pointing them out.
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